Lifou is magical...

Santal Bay, Lifou

We've just come back from Lifou in New Caledonia and it was amazing. The colour of the water around the island, which ranged from bright aqua to deep turquoise, was absolutely stunning (my camera couldn't quite capture these vibrant hues). And there were butterflies everywhere... they were in the air all around you. It was like something out of a dream. 

 Butterfly at Easo, Lifou

The morning began with snorkelling in Jinek Bay. The coral was still in great condition despite the increase in tourism that Lifou has experienced in recent years. The local people have been very conscientious about looking after their marine environment, which is why we each needed to purchase a pass to enter the water. After that, we visited Our Lady of Lourdes chapel at the top of the hill. Butterflies filled the skies and I took some video footage of this entrancing phenomenon. Back in the village, we ate fresh papaya and mango before heading off to see the Saint Francois Xavier village church.

 Easo village church, Lifou

Next to the church, we happened upon a sign that described a visit to a fresh water pool in a cave for $10. We weren't sure what to expect as we descended a steep, rocky path bulging with buttress roots. At the bottom of the path, it was slippery and dark. I hadn't prepared and was wearing Havaiana thongs--it was a bit touch and go and I had to take it easy.

 Path to Cave at Easo, Lifou

There was a cave at the very bottom and other tourists were jumping into the deep, dark pool of water so we decided to give it a go. It was very invigorating and brought back childhood memories of jumping into freshwater pools in Australia. When it got a bit crowded down there, we walked back to Santal Bay and snorkelled near the wharf where we swam with a turtle for a while as it ate seaweed and intermittently came up for breaths of air. It was a fascinating sight to behold.

 Jinek Bay, Lifou

It was such a magical day. Time has not passed so slowly for me in years and it was all a bit surreal, like some kind of spiritual awakening. There is so much beauty in this world and we really need to nurture and protect it.

I liked 'Aloha'

I saw 'Aloha' last night. Ordinarily, I wouldn't have gone to see it as the trailer put me off due to the military overlay (which rarely excites me); however, it was being offered as a double-feature with another film ('Far from the Madding Crowd') so I thought, Why not?

When 'Far from the Madding Crowd' was over, I wasn't too keen to stick around for 'Aloha'. I had heard nothing at all about the movie but the trailer had given enough away to make it seem sappy. It turns out that I was pleasantly surprised. 

However, at the end, everyone in the cinema seemed confused and comments of that kind circulated around the room. It was depressing to realise that I was seemingly the only person who understood the film. People had missed whole chunks of the subject matter and characterisation somehow. But for me, that was the beauty of the film--you're forced to stay active in it. You really have to pay attention because the pace is fast in the first 8 minutes. As the plot unfolds, you make sense of it as you go. The movie is like a journey--I found myself being able to identify with each of the characters in some way. It's not dissimilar to 'Jerry Maguire', except that Bradley Cooper is a more likeable protagonist.

'Aloha' is definitely more figurative than literal in nature. Like most films, you can't pick it apart too much, you just have to feel it. The film is multi-layered and moved me a lot without me expecting it (as Crowe films tend to do). It set out to achieve too much but that worked for me for the following reasons:

1) It resonates with similarities in Australia in relation to people's treatment of the indigenous population. The movie took me through a whole range of emotions, including disgust at what Gilcrest (Bradley Cooper) was there to do: abuse the trust he had somehow previously gained from the indigenous community. I think a lot of North Americans don't like the film because it makes a statement about land rights and past maltreatment of Hawaii's indigenous people. It could be considered anti-nationalist by some. To me, the film depicts the present-day reality of a people who were overturned in much the same way as indigenous Australians were. It serves as a reminder that land, culture and language were unrightfully taken away. Efforts must be made to preserve and respect Hawaii's rich heritage.

2) Similarly, I like the Hawaiian mythology that is woven into the film despite it being rather clumsy and tokenistic at times. I was reminded that the indigenous people's connection with the sky and the land is of cultural and spiritual importance. Although technological development is a reality, and we all benefit from it in our daily lives, the film touches upon the conflict between advancement and heritage. It also hints at the ruthlessness of American militarism as it expands its global strongholds in the Pacific at all costs. I like to hope that the lack of military intelligence in regards to Carson Welch's (Bill Murray) true motives was a far-fetched plot line. It is a truly scary thought that ordinary citizens of incredible wealth may be able to wield military power. It's scary enough when the US government does it.

3) It depicts a broken person, both mentally and physically, in Cooper's character--a consequence of his egotistical jaunts. It is pretty clear from the outset that he has become disconnected from himself somewhere along the way. He was so selfish in his past relationship with Tracy (Rachel McAdams), always putting his career first, but is forced to 'face the music' both personally and professionally throughout the film. It portrays his gradual transformation and growth, presumably originating from the serious injuries he sustained in Afghanistan, and culminating in his decision to cause Welch's satellite to explode. The film puts Gilcrest in the driver's seat of his own redemption. It's story of hope to anyone who finds themselves at the bottom of the heap. One may never rise again to the heights of former glories but somehow that doesn't matter any more when things are put into perspective.

4)  Bill Murray's character is repugnant and representative of North America's filthy rich individuals whose greed has no bounds. He played the character beautifully, capturing the eccentricity and narcissism that some billionaires possess. He is charged with the delivery of one of the most poignant lines in the film: "The future isn’t just something that happens. It’s a brutal force, with a great sense of humour, that will steamroll you if you’re not watching." This is so true. Life creeps up on you so fast and it can be ridiculously overwhelming. In the context of Welch's character, he deals with this by 'getting in first' and 'staying one step ahead of the game'. This is how most people think life should be approached but there are other people, more unassuming, who do get steamrolled. Perhaps they are just too honest or different or gullible. But it doesn't make them lesser people.

Everyone interprets a movie differently. To me, the movie made bold statements about militarism, globalisation, selfishness, greed, self-understanding, self-identity (the 'daughter' subplot) and loyalty. These ideas came across powerfully--I didn't have to search for them. The dialogue, acting and cinematography are very raw; you're right there amongst it and there's no escape. In this way, I think that 'Aloha' is quite a confrontational film because it really makes you question your own existence, and your affect on individuals and groups. We all play a part in this world however insignificant it seems at times. We have a choice each day in the way we interact with those we love as well as with the wider community.

♥ the colour green!

Materials: Cuttlebug Cindy Loo embossing folder, inks, rubber stamps, foam mounting squares; This card has been hand: cut, torn, glued, dry embossed, inked, coloured and mounted.

One of my fellow stallholders was looking through my handmade cards recently and commented that my Christmas cards were rather unimaginative, as I had made them in the colours of red and green. She pointed out that 'Christmas' can be any colour. I do agree but I secretly like the opportunity to use the colour green in my creations! It's not a colour that is generally very popular, so Christmas gives me an excuse to go crazy with it! This card is a case in point. It's got it all--a spiritual theme (rather than a garish 'santa' or similar), dry embossing, leaves, my own handmade recycled paper, and many shades of green.

2010 - Year in Review

My primary aim this year has been to gradually use the numerous craft supplies and tools I've bought over the years! I've always had good intentions but never had the time to explore my creativity deeply (due to being a dedicated school teacher) .

The feedback received from customers thus far has been very encouraging, so I will continue to attend craft markets in the Blue Mountains and Sydney, as well as increase online ordering options. If you would like to purchase anything, please feel free to contact me.

It has been a privilege to teach some cardmaking classes in and around Sydney this year, and I would love to continue doing this in the future.

It has been an extremely busy year, with a lot of new developments, but I'm enjoying every moment of it and plan to continually improve the scope of my handmade products in 2011.