Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

10 April, 2021

'Childmemory' by Michael Dugan

'David's Willow Tree' by Susan Clark


The following poem, Childmemory, by Michael Dugan is filled with beautiful memories and imagery. Its environmental theme is poignant and powerful. At the time of writing, this poem is not available anywhere else on the web and is almost impossible to find in published books. However, I was able to discover that it was published in Poetry Australia 32: Preface to the Seventies (1970, p. 35), which resulted in an email exchange with Michael Dugan's former colleague. I am sharing the poem in full because it is too wonderful to be forgotten forever. I encourage teachers to use this poem in their classrooms to explore the concepts of past, present and preservation. All credit goes to the brilliant Michael Dugan who composed this work. - Mel

Childmemory

Down past Macartney’s farm
beyond a wilderness of waist high thistles,
willow trees caressed the creek.
We would come to the willows
along a secret path of our own making,
to leap into their feathered greenness
and, clutching handfuls of whiplike branches,
would swing, eyes closed, above the stream,
rejoicing in motion,
with the bitter taste of willow leaves in our mouths.
Later we tied a rope to the highest branch,
and riding its arc like a pendulum,
would pause at the point of timelessness; to drop,
breaking the pool’s glass surface
into ever widening sculptured circles.
One summer night I crept silent to the willows
and swung for hours, feeling the cool sweet air on my face,
watching stars reflecting in the pool,
like trolls’ eyes staring from the black water.

Returning fifteen years later,
factories pour waste into the creek,
no one remembers willow trees.


Michael Gray Dugan
 (1947-2006) was an Australian poet, children's writer and editor. Born in the outskirts of MelbourneDugan recalled writing stories and poems as a child of eight or nine. In 1968, he first published 'Crosscurrents' magazine from the Melbourne suburb of Canterbury. He also worked as poetry editor of 'Overland' magazine and served as vice-president of the Victorian Fellowship of Australian Writers. In the 1980s, he was a consultant and an editor for the Australian Institute of Multicultural Affairs. Along with his works in children's literature, Dugan had an extensive background in Australian history. He wrote numerous historical textbooks published by Macmillan Education Australia. There are over 200 book titles in Dugan's nameincluding factual books, fictional stories and poetry anthologiesOther publishers he wrote for include Oxford, JacarandaPenguin, and 
Hodder & Stoughton.

Comments

Anonymous April 11, 2021 at 7:34 PM
Thank you so much for sharing this! I used this with my Year 7 class many years ago and have not been able to locate it since. I just love this poem. So sad that his place got replaced by factories.

31 December, 2016

Stealing Beauty (1996)

How is it that a film so culturally removed from my life’s experience can resonate with me so powerfully, even two decades after its release? I first saw this film on VHS tape (possibly DVD) when it came out in 1996. Not only did the soundtrack blow me away, but the film struck me as creative and beautiful in ways that films today seem unable to capture. It isn't about beauty in the sense of physical beauty (although actor Liv Tyler is gorgeous); it's about Lucy Harmon, a beautiful soul who has not yet found her soulmate. Sounds cliche, I know, but it's so much more refreshing than the 'friends with benefits' tropes that have been doing the rounds in Hollywood of late. 

My love of the film is perhaps a projection of my worldview. The relationship that gradually forms between Lucy and Osvaldo Donati is not dissimilar to my own experience of finding love. An unlikely pair, we gravitated toward each other in much the same way that Lucy and Osvaldo discover their connection. 

Osvaldo, the younger brother of Niccolò, has a different moral compass to his brother. This guides him in the direction of seeking a genuine relationship with a partner, something he has been struggling to find in Italy. He seeks a new life far away from Tuscany, a meaningful life where he can escape the hedonism that surrounds him. 

Mostly everyone appears to be living in perpetual holiday mode, in part due to their success as artists and early real estate acquisitions. But the Donati estate seems to have been passed down for generations and Niccolò lives a quintessential Bohemian existence. He has become accustomed to self-gratification as he moves from one conquest to the next like an untamed stallion.

By contrast, Osvaldo is such an interesting character. He wants something more than momentary thrills, and so does Lucy. If she didn’t, she wouldn’t still be a virgin at 19, given the attention she would have undoubtedly received in high school. It’s her depth of character for her age that is so attractive, but she won’t allow herself to truly live until she finds out who her biological father is. Spoiler alert: she finds out after ruling out war correspondent Carlo Lisca and playwright Alex Parrish. (I would have been investigating that Donati father too, but he's not mentioned.)

Stealing Beauty is visually intoxicating film with an incredible soundtrack. Bernardo Bertolucci (director) and Susan Minot (screenplay) have created a timeless piece that will hopefully not be forgotten. I am thankful that Niccolò was ultimately unable to steal Lucy's beauty! For an extensive list of the songs and instrumentals in the film, please get in touch.