Showing posts with label memories. Show all posts
Showing posts with label memories. Show all posts

10 April, 2021

'Childmemory' by Michael Dugan

'David's Willow Tree' by Susan Clark


The following poem, Childmemory, by Michael Dugan is filled with beautiful memories and imagery. Its environmental theme is poignant and powerful. At the time of writing, this poem is not available anywhere else on the web and is almost impossible to find in published books. However, I was able to discover that it was published in Poetry Australia 32: Preface to the Seventies (1970, p. 35), which resulted in an email exchange with Michael Dugan's former colleague. I am sharing the poem in full because it is too wonderful to be forgotten forever. I encourage teachers to use this poem in their classrooms to explore the concepts of past, present and preservation. All credit goes to the brilliant Michael Dugan who composed this work.

Childmemory

Down past Macartney’s farm
beyond a wilderness of waist high thistles,
willow trees caressed the creek.
We would come to the willows
along a secret path of our own making,
to leap into their feathered greenness
and, clutching handfuls of whiplike branches,
would swing, eyes closed, above the stream,
rejoicing in motion,
with the bitter taste of willow leaves in our mouths.
Later we tied a rope to the highest branch,
and riding its arc like a pendulum,
would pause at the point of timelessness; to drop,
breaking the pool’s glass surface
into ever widening sculptured circles.
One summer night I crept silent to the willows
and swung for hours, feeling the cool sweet air on my face,
watching stars reflecting in the pool,
like trolls’ eyes staring from the black water.

Returning fifteen years later,
factories pour waste into the creek,
no one remembers willow trees.


Michael Gray Dugan
 (1947-2006) was an Australian poet, children's writer and editor. Born in the outskirts of MelbourneDugan recalled writing stories and poems as a child of eight or nine. In 1968, he first published 'Crosscurrents' magazine from the Melbourne suburb of Canterbury. He also worked as poetry editor of 'Overland' magazine and served as vice-president of the Victorian Fellowship of Australian Writers. In the 1980s, he was a consultant and an editor for the Australian Institute of Multicultural Affairs. Along with his works in children's literature, Dugan had an extensive background in Australian history. He wrote numerous historical textbooks published by Macmillan Education Australia. There are over 200 book titles in Dugan's nameincluding factual books, fictional stories and poetry anthologiesOther publishers he wrote for include Oxford, JacarandaPenguin, and 
Hodder & Stoughton.

21 August, 2014

Utopian World

 Sandwich Shop, Montmartre, Paris

Tablecloth Shop, Rue de Rennes, Paris

 Le Petit Mâchon, Rue Saint Honoré, Paris

 Picking out beads for a handmade necklace or two, 
Marche aux Puces de Saint-Ouen 

My father always told me that I live in Utopia--this was a criticism of me--he desperately wanted me to exit my dream world. I never fully understood what he meant. I do now. I like to be immersed in beauty, art and creative pursuits. However, this was never encouraged. I eventually found myself within the four walls of a classroom. Kids are lovely but the environment isn't. It's very stifling and repetitive and menial. And, oh, the mundanity of conning kids into learning who aren't really interested...

I find myself dreaming about holidaying in Europe again. It's this kind of escapism that really irked my father. I always resort to it when I'm frustrated. I'm back in the classroom teaching again this term--that'll do it! You just feel trapped by the constant marking, assessing and rousing on kids. And, at this school, there is a bit more of that than usual. Am I motivated by the paycheck? No. But, I had to get back into it or I would have had to sign up for a 5-year reaccreditation process. No thanks. Already spent 6 years at uni taking the profession as seriously as a person could take it, and another decade teaching thereafter...

Please enjoy my small selection of photos taken in Paris last year. Thanks to my Uncle and Aunty, who invited us to their 40th Wedding Anniversary celebration in Holland, the trip came into being.

21 March, 2014

The Monuments Men

 'Sunrise' by Roy Lichtenstein, 1965

 'La Muse' by Pablo Picasso, 1935

 'Bedroom in Arles' by Vincent van Gogh, 1888

'Luxe, Calme et Volupte' by Henri Matisse, 1904

 'Water Lilies' by Claude Monet , 1919

I saw the movie 'The Monuments Men' last night. I loved the premise of the film but suspect that the subject matter is not for everyone. The cinematography was superb--truly an aesthetic feast for those who love the beauty of scenery and light and art. The cast was fantastic, and the movie met my expectations and more. Again, we're reminded of the insidiousness of that much-maligned regime and, as always, are left wondering how it all could have gone so far. The scale of the theft perpetrated against the innocents is yet again as sickening as ever (e.g. thousands of gold fillings stored in barrels). Although the film did lack pacing and a few other vital elements, I believe strongly in the purpose of the film: to uphold those who risked and lost their lives to preserve the beauty, history and cultural significance of art.

Having been to Europe myself last year, I had the opportunity to experience, in some small way, the sheer scope and scale of historical artifacts, artworks and other contributions by incredibly talented and dedicated people throughout time. The Louvre was just overwhelming in its size and magnificence. I spent all day there and actually saw quite a large proportion of the collections. My feet were so sore that I couldn't walk properly later that evening (this is not a usual occurrence for me!) I was just so compelled to see as much as I could--such is the voracity of my aesthetic eye. It's just the way I'm wired; I'm so visually attuned and can't live without the stimulation of looking at wondrous things.

At the top of this post, I have shared a handful of the artworks I saw in Europe (where flash-free photography was permitted). I saw many great works by 'the masters' but happened to snap more of the modern works. The pics don't do the artworks justice but will always trigger within me the memory of having experienced them in the flesh :)

01 October, 2013

So, so busy!

'Starry Night Over the Rhone' by Vincent van Gogh, Musée d'Orsay, Paris

I'm certainly rejuvenated after my trip overseas. There were so many inspiring and creative moments. I'm still reflecting on them every day. Paris was such a visual feast of culture, art, beauty, food and architecture. Amsterdam was quirky, fun, contemporary and clever. However, it's been right back into it all since returning. I'm yet to scrapbook the trip (that's a dream at this point) and I'm gradually wading through the photos taken.

I never anticipated that my little hobby business could become so busy. As I have improved my products and images, there have been countless requests for customised stationery. It's still a tough gig each and every day, but it's gradually getting easier.  I'm still experiencing a lot of people who are wasting my time and, although I'm getting better at recognising them, they still manage to catch me off-guard. Not coming from a retail background, I am surprised by the number of people who do not have regard for other people's time. Examples include: unreasonable requests for very little payment, rude and impatient emails, genuine sample requests followed by nothing, invasive questions about how an item is made (for replication)...the list goes on.

It's taught me a lot about myself, about the Australian public, about the younger generation, about how artisans are viewed, about consumerism, about this crazy world we live in. But, for the first time in my life, I feel truly free. Being a hard worker by nature, and a bit of a perfectionist, it was difficult being at the mercy of a jealous boss, unfair leader, colleagues who took and never gave etc. I often felt plagued by the thanklessness of the teaching profession. It's not why you do it but, we're all human, and everyone needs some form of feedback. Even the retail world has more to offer in that department (who would have thought!)

I'm still loving the journey--have no idea if there's even a destination at this stage!

26 September, 2011

Customised Scrapbook Albums

6" x 6" scrapbook layout

12" x 12" scrapbook layout

Recently, I was contacted through this website to create a customised Wedding Scrapbook Album for a couple whose photos have been sitting in a box for 25 years. What better way to revive these older-style photos than to bring them to life with scrapbooking tools and techniques! I have been a 'scrapbooker' for about 8 years now, and have probably completed more pages for others than myself in this time, but all the classes, layouts and completed albums have certainly helped in honing my design skills and visual techniques.

It is hard to define my scrapbooking style. I use an eclectic range of tools and materials to suit a variety of styles. I believe that the addition of text to most scrapbook layouts is important. A textual, as well as a visual story must be told, providing your photos with that unique edge.

If you have a story you would like to tell through photos, text and other visual elements, but lack the time, tools and techniques to complete the project yourself, please contact me via the 'Contact' tab above. I will do my uptmost to present and preserve your precious photos in a truly unique and visually-appealing way.

Below is a brief outline of the cost of customised scrapbooking projects. Copies of photos are generally provided by the customer, so these costs cover my time, tools and materials:

6" x 6" scrapbook layouts - $6.00 each
8" x 8" scrapbook layouts - $8.00 each
12" x 12" scrapbook layouts - $12.50 each
12" x 12" deluxe scrapbook layouts - $15.00 each

An album would generally contain around 20 layouts. The cost of the album and sleeves is in addition to the layout costs, and differs according to the size chosen. Only the actual cost price is passed onto the customer.

For the Wedding Album described at the beginning of this post, the customer is edging towards the 12" x 12" deluxe scrapbook layouts as he wants the best layouts I am capable of producing with the photos provided. To give you an idea of cost, the album would be approximately $50 (including sleeves) and the pages (around 16) would be $240. So, for $290 in total, this couple will finally have an aesthetic album of their wedding memories to share with family and friends. Great value for the amount of care and thought that goes into such a project!